“Nos Vemos Allá Arriba” de Albert Dupontel – Crítica

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Albert Dupontel adaptó la novela ganadora del Premio Goncourt de Pierre Lemaître

Francia, 1919.

Dos veterános de la Gran Guerra incapaces de retomar el antiguo curso de sus vidas al seno de la sociedad civil, deciden montar una estafa monumental con los soldados fallecidos en el conflicto. Durante la Francia de los años locos, la empresa será  igual de peligrosa que espectacular.

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Basado en una reconstrucción de los años 1918-1920, “Nos Vemos Allá Arriba” saca a  Albert Dupontel fuera de su zona de cómfort y de las comedias sátiricas a el humor negro. Una gran dirección artística que innova la filmografía de este comediante veterano y nos prueba además, que él es totalmente capaz de dirigir proyectos ambiciosos. El trabajo de reconstrucción de este período histórico es la verdadera proeza de esta obra, las trincheras de París en el Siglo XX, los escenarios y los vestuarios, todo es organizado de una forma que ofrece a la historia la calidad pictoral que merece. Un trabajo minucioso ha sido realizado sobre el grano y la colorimetría, dando la impresión de estar en frente de imágenes de archivo que fueron filmadas hace un siglo, la puesta en escena lenta y amplía hace honor al trabajo artístico. En particular la parte del film que se desarrolla en las trincheras.       

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Fiel a la novela de Pierre Lemaître, el film se concentra sobre el drama humano y el sufrimiento de dos marginales, tema apreciado en el cine de Dupontel. El primero de ambos supervivientes, un contable modesto y el segundo, el artista maldito, es encarnado por Nahuel Perez Biscayart, actor revelación del film “120 Látidos Por Minuto”. El guión de Dupontel aporta un cuidado particular a los personajes secundarios. Uno notará la presencia entre ellos de Laurent Laffite y Niels Arestrup quienes encarnan brillantemente sus personajes, pero aquel que uno recuerda luego de varios días de haber visto el film es Émilie Dequenn uno de los personajes que mejor ha sido presentado en la película. 

Parece que Albert Dupontel ha comprendido que es necesario pasar por cierto clacismo para ayudar una industria hexágonal un poco moribunda. Esperámos que el público le done razón. “Nos Vemos Allá Arriba” se estrena en cines a partir del 25  de octubre.

 

Elenco & Equipo:

  • Director: Albert Dupontel
  • Guión: AlbertDupontel
  • Elenco: Nahuel Perez Biscayart, Albert Dupontel, Laurent Lafitte, Niels Arestrup, Emilie Dequenne, Mélanie Thierry
  • Música: Christophe Julien
  • Dirección de fotografía: Vincent Mathias

 

Más artículos sobre el tema:

  • Fotogramas: “‘Au revoir Là-Haut’, La Consagración del Cineasta Albert Dupontel. Con su sexta película el cineasta francés emociona, intriga, apasiona y deslumbra, manteniendo su marca de la casa, su afilada y visceral critica de la sociedad. Con Nahuel Pérez Biscayart (mejor vas reteniendo este nombre, un talento desbo…” – Artículo Completo
  • Première: “Avec Au revoir là-haut, Albert Dupontel tient enfin son grand film. Présenté au festival d’Angoulême, le film de Dupontel a fait l’unanimité. En adaptant le livre de Pierre Lemaître, il concilie ses obsessions d’artiste et ses ambitions de cinéaste. Lorsqu’il réalise le corrosif Bernie en 1996, Albert Dupontel, clow…” – Article Complet
  • EcranLarge: “Toujours plus imprévisible et audacieux, Albert Dupontel nous revient avec l’adaptation d’Au-Revoir Là-Haut, prix Goncourt de 2013, écrit par Pierre Lemaïtre. Alors que le réalisateur se frotte ici pour la première fois au difficile exercice de la reconstitution historique, a-t-il trouvé un terrain de jeu à…” – Article Complet
  • Europe1: “Au revoir, là-haut”, fresque exubérante et baroque de la Première guerre mondiale, librement adaptée par Albert Dupontel du roman de Pierre Lemaitre, prix Goncourt 2013, a été présenté mardi en avant première au festival du Film Francophone d’Angoulême. Un jeu autour des masques. Le film, long…”- Article Complet

Marc Webb: Hollywood y el cine independiente

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Con ocasión del estreno de “Un Don Excepcional” cuenta todo sobre su experiencia en Hollywood.

Luego de su primer largometraje ” 500 Days of Summer” al igual que la experiencia con el èxito ” The Amazing Spiderman” Marc Webb habla sobre su trayecto con AlloCiné. 

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Marc Webb tuvo una buena experiencia con su primer film “500 Days of Summer” es considerado por muchos como la mejor comedia romántica del cine independiente. La película encontró su público gracias a un boca a boca provocado por su paso por numerosos festivales y la recepción positiva de la crítica.

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Luego de su primer encuentro con el éxito, los estudios Sony y Columbia lo contactan para realizar una nueva versión de las aventuras del hombre araña. Es así que en 2012 surge la juvenil y musical “The Amazing Spider-Man”con Andrew Garfield. Debido al éxito de la primera película, el estudio decide forzar a Webb a realizar una secuela. Luego de que “The Amazing Spider-Man 2” se presenta en las salas, Marvel es comprada por Disney convirtiéndose en el gigante que es hoy en día y la saga iniciada por Marc Webb nunca finalizó a pesar de sus deseos de no extenderla. Tom Holland en “Captain America: Civil War” vuelve a darle uso al traje de hombre araña en 2016.

Luego de ese malentendido, Marc Webb regresa a los pláceres más simples. Regresa al cine independiente y en el tiempo que le tomaba hacer un solo spider-man lográ grabar, editar y estrenas dos largometrajes “Gifted” y “The Only Living Boy in New York”. Uno de estos, “Gifted” con Chris “Captain America” Evans fue bien recibido en el circuito de festivales y acaba de ganar el Premio del Público en el Festival Internacional de Deauville.

 

Más sobre el tema:

  • AlloCiné: “Revenu du monde des blockbusters, après avoir réalisé les deux “Amazing Spider-Man”, Marc Webb a, grâce à “Mary”, renoué avec le cinéma indépendant, qu’il évoque à notre micro au même titre que l’état actuel d’Hollywood. Du cinéma indépendant à Spider-Man… et inversement. Après avoir mis l’Homme-Ar…” – Article Complet
  • indiewire: “After making a name for himself with his debut indie romantic comedy “(500) Days of Summer,” Marc Webb made one of Hollywood’s biggest leaps to direct “The Amazing Spider-Man” and its sequel, starring Andrew Garfield and Emma Stone. However, after a poor box-office showing for “The Ama…” – Full Article
  • FilmStarts: “Die Westboro Baptist Church ist eine der berüchtigtsten Hass-Gruppen der Welt. Nun soll ein Hollywoodfilm über diese und ihre berühmteste Aussteigerin entstehen.Seit 1955 existiert die Westboro Baptist Church und schafft es in den USA immer wieder in die Schlagzeilen. Obwohl die Gruppe ei…” – Vollständiger Artikel

Clarity of deception – Script / Screenplay

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“Your past finds a way to creep up on you.” A lesson Bernard Drive, the best lawyer in the county of Harper Woods, Michigan is about to find out. Women are being murdered, and for each kill, a large portion of flesh is removed from the right side of their face.

Synopsis: “CLARITY OF DECEPTION” is about Bernard Drive. A hot shot lawyer in the city of Harper woods, Michigan who has a dark past that’s about to catch up to him. After winning the biggest case in the city. Bernard comes from the courthouse, and reporters eagerly ask him, how does he feel about winning the case? With a cocky response, he leaves them silent, making his way down the street to his Benz. Standing by his driver side door is a homeless man, jingling a cup full of coins. Bernard gets to him covering his mouth, and the man stops jingling the coins staring at him.

The man proceeds to antagonize Bernard, and Bernard grabs him, pinning him against the car prepared to swing, when he looks back seeing the reporters making their way to them. He slings the man to the side getting in his car, and before closing the door, the man throws a balled up paper bag into the car, saying, “This is a case you won’t win.”. The man moves his hand, just as Bernard slams the door, pulling off before the reporters get to him. Driving a few blocks away, he pulls into an alley grabbing the bag, opening it. Written in sloppy black marker is a message reading, “Vengeance is only sweet, when you make the person you love realize how sweet it is.”. Bernard laughs throwing the bag out the window, pulling out the alley.

That night, Bernard sits on his bed drinking a glass of cognac, laughing at the note. He gets up to pour another glass, and he pauses having a flashback of his childhood. Coming back to reality, he hits his fist on the mini bar upset. On the other side of town, the whimpers from a woman tied to a pillar are heard. Her killer approaches, and she gets ready to scream, but the killer shoves a pair of rusted garden shears under her chin into her mouth, opening them. Removing the shears, the killer takes out a scalpel removing a large portion of flesh from the right side of her face.

More women are randomly killed, with the signature flesh removed from the right side of their faces. The lead detective on the case Charlie Sling, has no hard evidence to begin trying to track down who the killer is. When people close to Bernard start dying, and the killer leaves clues pointing towards Bernard. Charlie has to piece together the outcome, while Bernard has to relive his past, hopefully being able to give Charlie an idea of who the killer is. Bernard learns the lesson “Whatever you do in the dark, always comes to the light. And you pay what you owe, in ten fold.”

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Clarity of deception ©

An Original Screenplay by Bernard Mersier

 

Half Way House – Script / Screenplay

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Moxie Baxter is released from youth detention and sentenced to Pasternak, a half-way house for troubled girls. There she has celebrity but must battle the neighborhood vigilante to find her inner superhero.

Margot Baxter a.k.a. Moxie, 23, a trouble making girl with jet black hair from the eviscerated rot of New York City, has become a legendary criminal and celebrity by unorthodox means; but the rewards of fame elude her as she is trapped in a half-way house that turns out to be as quirky as she is.

To her dismay, she finds the sight, sounds and smells very different in rural-suburbia when she is released from prison and sentenced to Pasternak, a half-way house for troubled girls. As the house falls into disrepair around her she seeks seeming friendship in Willa, a drug abuser from Los Angeles that has an unattainable taste for sweet leadership; Penny, from the soggy wetlands of Louisiana, sentenced for petty theft; Tawny from south North Dakota, and Dot from north South Dakota— both with vocal imploding personalities, that have been sentenced to Pasternak for arson. Overseeing all, is Teresa Thorndyke, the sour House Mother, and two trustworthy but slightly inept, unsound, security guards.

To make matters worse, the house is divided down the middle from Pendleton, the boys’ home on the Nevada/Utah state line and a one hour time difference. Login, Aaron and Kyle are Nevada boys that wear too much Axe Body Spray and know how to party. They also enjoy embarrassing the girls at every turn.

Everyone Moxie meets has issues, but someone wants her sent back to prison… or worse yet— unremittingly, unequivocally, dead.

A robed figure, the girls have nicknamed Vigilante, is on the loose in the neighborhood. Moxie must bring the girls together and fight their adversary with homemade, rough wooden weapons, and try to solve the mystery of the malefactor before anyone gets killed— as well as, find herself, show her own inner beauty, and fuel her girl power in the process.

Creative notes: From the Author of Rose Red And The Seven Elves, Go Get The Girl, and Dragons Versus Dinosaurs.

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Half Way House ©

An Original Screenplay by G. L. Strytler

 

She Waits – Script / Screenplay

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A war vet recovering from PTSD suffers a setback when his salvage ship goes down in the Bermuda Triangle and he’s the only survivor, but the worst is yet to come as the incident awakens the angry spirit of a love from his past life and no one believes him.

St. George, Bermuda 2012. While towing a broken down barge back from the Bermuda Triangle, PAUL KURTZ encounters a greenish colored fog on the water. A ghost ship suddenly emerges from the mist and suddenly he sees a beautiful woman (SAPHORA) standing on the deck of his ship. She extends her arms and rises into the air just as a ghost ship slams into his vessel. It causes his crew to become mummified and his own ship to turn into rust. Paul is knocked overboard. He sinks into the water and has his first ATLANTIS DREAM: we see feminine hands, caressing him… almost pulling at him into the ocean’s depths. Paul fights the hands off and swims for the surface. We cross-cut Paul being rescued by the Coast Guard as he tries to fight them off as well.

Paul wakes up in the hospital to his wife, a beautiful mulatto woman named CHRISTINA who was born and raised in Bermuda. Paul has a moment alone with the doctor, he inquires what the dreams he had under water may mean. The doctor tells him it was just the loss of oxygen under water. We learn from the conversation that Paul is a Gulf War veteran and he suffers from PTSD. Christina has a difficult time believing him because of a prior drinking problem. MIKE GROGAN is Chief of Police and he comes to the hospital to question Paul about the sinking of his tug boat. Paul explains to him about the mysterious green fog and the woman he saw on his tug boat just before a ghost ship appeared on the water.

Paul returns home from the hospital and that night he has a dream of a ship sinking during a typhoon. Paul is the captain of this ship and the dream only lasts for a few seconds. In his dream he is pulled deeper towards the ocean floor. His vision is clouded and murky…oil seeps through his ears and eyes. He is having sex with a woman underwater. They are both covered in black oil. Paul awakens from the dream drenched in sweat. He goes into the bathroom to wash his face and looks up to see Saphora in mirror standing behind him.

Paul goes to his insurance company the next morning to retrieve a check for the loss of his ship. When he rides away from the office on his motorcycle three Jamaicans attempt to car jack him. One of the thieves hit Paul in the face with a water balloon and they lead him on a wild chase into an alleyway. Paul confronts the men and the fight turns deadly just as a Rastafarian named KOFI JOHNSTON comes to his rescue. Kofi owns a bar called The Cellar and luckily for Paul the alley he is fighting in is just outside this establishment. Together, Paul and his soon-to-be-friend fight the Jamaican gang members. Kofi gives Paul one of his business cards and he invites him to come back to the bar with Christina as his guests.

Paul leaves Kofi and goes to a bridal shop that Christina owns for lunch. Christina is busy sewing a wedding gown when Paul comes in and surprises her. She notices Paul’s injuries and he explains to her what happened. Christina verbally admonishes Paul for fighting and implores him to stay out of trouble. Christina tells Paul they need to have a talk and she asks him if he really saw a woman in the bathroom like he alleges. Paul tells her that he did and it was the woman from his ship.

Paul and Christina pick up their son, JOSEPH for his birthday party at the beach. They have cake, fly kites and go swimming in the surf for fun. Later that evening, there is a disturbance along the beach. Paul goes to investigate the commotion and sees that the mummified body of one of his crewmen has washed up on shore. Paul also finds a gold ingot in the water. He reaches down to pick it up and sees Saphora’s face smiling back at him. Saphora’s hands reach up and grab his hands, pulling the wedding ring from his finger.

Paul attends a wake for his dead crew members and later the funeral for his First Mate, FRED MESSNIER who was also his best friend. Paul sees a woman (Saphora) dressed in white watching him from the tombstones. Paul goes after the apparition and when he catches her he finds out it’s not Saphora. It was just a female mourner. Paul literally runs into the Chief of Police, Mike Grogan, who is also a friend of the family. Mike asks Paul what’s wrong and Paul refuses to tell him. Mike confides in Paul that Christina is worried about him and the visions he keeps having of a woman from his ship. Mike tells Paul that he found the wreck of his tug boat and he had the metal and silver ingot tested. According to a carbon dating report he received of the metal from the tug and silver ingot they were both over nine-thousand years old! Paul tells Mike that the dreams of a ship sinking and the woman he saw in his bathroom are real and he feels like it’s some kind of “deja vu”.

Paul returns home and encounters Saphora again while he is taking a shower. He is having sex with a woman whom he believes is his wife, Christina but it turns out to be the ghostly apparition of the woman from his past. Christina comes home and finds Paul sitting naked in his kitchen. Christina demands an explanation and Paul tells her that he saw the “woman” again in the shower. Christina doesn’t believe Paul and accuses him of having an affair and hitting-the-bottle again because of his behavior and a beer can found on the table. Christina wonders if Paul has been drinking again. Meanwhile, Paul continues to dream – his waking life and his dreaming life blend together. Suddenly the telephone rings. Paul answers and he finds that Mike Grogan is calling him from the Sargasso Sea. Mike tells Paul that he found the wreck of his tug boat and the metal was oxidized and corroded like it had been at the bottom of the ocean for thousands of years. Mike also tells Paul that a coroners report stated that mummified remains of his friend, Fred Messnier indicated that he should have died over nine-thousand years ago. Paul confides in Mike again about his feelings about the woman on the ship and that he believes she is haunting him from a past life. Mike refers Paul to a psychologist that specializes in dream therapy and past like regression. Suddenly a greenish colored fog appears on the water and Mike sees the ghost ship that sank Paul’s vessel. The specter overtakes Mike’s motor boat and it turns everyone onboard into dust.

Paul and Christina decided to have a date night at Kofi’s bar. They meet Kofi in the V.I.P. section of the club along with two friends from Tokyo. Kofi offers them all champagne and Paul refuses which makes Christina extremely proud. Later that night, while on the dance floor a patron spills water on Paul’s shirt. Suddenly, Paul has another vision in which everyone appears to be dancing under water. Paul flees to the parking lot and goes into a trance. Christina follows Paul outside as he becomes the alter ego of a Greek sailor named BRASSIUS. As Brassius, Paul berates Christina and denies knowing her or that he is even married to her. In desperation, Paul steals a car and drives away with it. Christina and Kofi search for Paul all night long. The next morning Paul is arrested for loitering around the dockyards. The officers find Kofi’s business card in Paul’s shirt and phone him. Kofi and Christina drive to the station to bail Paul out of jail. They take Paul home and he tries to explain his actions at the club and his reasons for running away. Paul goes to the bedroom and brings back an old sketchpad that belonged to Christina. Paul asks Christina to look through it and she finds sketches of Saphora and an ancient, wooden ship with three sails and oars. Paul explains that he was the captain of this ship and it sank during a typhoon. Suddenly the telephone rings and Paul receives a call from DIANNE WILSON, who states that she is a licensed hypno-therapist. According to the therapist she was referred to him by Mike Grogan. She asks Paul to come in to her office for past life regression therapy.

Paul drives to Dianne Wilson’s office along with Christina and Kofi. Dianne Wilson uses hypnosis to put Paul under and during the session it’s revealed that in a past life Paul was named Brassius and he was the captain of a Greek merchant ship taking a consignment of valuable silver and gold ingots, perfumes and resins to a colony in the Aegean Islands. During the voyage the ship encountered a greenish colored fog that sent it off course to the island of Atlantis. While exploring the island, they met the ruler, Xercon and his beautiful wife, Saphora. Saphora is a “healer” that can use Fire-Crystals to heal broken bones and other mortal injuries. It is also revealed that Brassius and Saphora became lovers and they plotted to run away together back to Greece. Somehow, Xercon found out and he was going to have them killed. Brassius’ men rescue them and they make it back to the ship. A typhoon develops on the sea and it sinks the ship – killing Brassius, Saphora and his men.

After the session, Dianne Wilson explains to Christina that Paul is the reincarnation of a Greek sailor and Saphora is trying to make contact with him from a past life. Christina is irate and claims that Dianne Wilson’s findings are nothing but bullshit. Paul states that he feels Saphora is not dead and that her spirit is reaching out to him from beyond the grave. Dianne Wilson assures Christina that Paul’s dreams are real and that Saphora is using “water” as a “conduit” to get to him and this makes it possible for her to get to anyone whenever she wants too. Paul asks Dianne Wilson how he can protect his family from Saphora and she explains that by limiting their contact with water this may be the only way to stop her.

Paul spends the next two days trying to “Saphora-proof” their house: he shuts off the water inside and outside the house. Christina thinks that all of Paul’s efforts are a waste of time and she goes to work leaving him deal with the situation on his own.

Creative notes: This is the second draft of this particular version of my screenplay.

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She Waits ©

An Original Screenplay by Robert Grubbs

 

High School Redemption – Script / Screenplay

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In exchange for a devastating sacrifice, an abusive alcoholic (killing his wife in a drunk-driving accident) receives a divine offer to relive his high school days in order to bring her back.

At West Point High, Daniel is looked upon as somewhat of a golden boy. He’s captain of the football team, he has the chiseled good looks, the car and of course, the girl. Her name is Nicole and she’s every bit as pretty as he is handsome.

Daniel and Nicole, dressed to the nines, arrive at school for their senior prom, where they are welcomed by the rest of the gang in the cool-kid set, secret handshakes and all.

Later, Daniel catches a glimpse of what can only be described as an apparition of a man dressed all in white, briefly staring at him and then appearing to walk through a wall.Is this an omen that this night of dancing and celebration may or may not end well? Perhaps, but Daniel assumes his eyes are playing tricks on him and shakes it off.

After a troubling encounter with his old girlfriend, Amber, Daniel steps outside to get some air. When he returns to the gym, he finds Nicole dancing with one of the definitely not so cool kids, Timmy, the result of a DJ dance contest. Daniel goes ballistic and all but drags Nicole out the door and into the parking lot. Seems our boy doesn’t know the difference between loving someone and owning them.

In the parking lot, Daniel’s best friend, John, tells him that if he doesn’t watch it, he’s going to lose the best thing that has ever happened to him, meaning Nicole. Daniel doesn’t want to hear it. He rejects John’s advice and his friendship in no uncertain terms.

We jump forward in time to their 20-year class reunion where John and his wife, April, wonder aloud if Daniel and Nicole will even show up, given that they haven’t heard a word from them for all these years. When Daniel and Nicole finally do show up, not much has changed. Nicole’s still beautiful. Daniel’s still handsome and he still has an attitude that won’t quit. When they get a moment alone, Nicole explains to April that Daniel keeps her somewhat isolated from the outside world, but she can’t leave him. In spite of everything, she still loves him.

Timmy shows up, and as luck would have it, the unpopular nerd kid is now the class millionaire. But even so, Daniel won’t give him the time of day.

Daniel tells Nicole he’s ready to leave. It’s obvious to everyone that Daniel has had too much to drink and has no business driving, but there’s that attitude thing again! Daniel refuses to listen to reason, and they drive off.

Daniel pays a heavy price for his arrogance. His drunkenness leads to a serious accident and he wakes up the next morning in a hospital bed. A police detective informs him that Nicole and the four occupants of the other vehicle died in the accident. John’s words have proved to be prophetic. Not only has Daniel lost what he held dearest, his wife, but he’s about to be charged with felony DUI and manslaughter!

Through a twist of fate, Daniel’s prayers are answered in the form of a man dressed all in white, with an almost supernatural glow around him. It’s Gabe, the being he caught a glimpse of 20 years earlier at the prom.

Daniel gets a 2nd chance, beginning with a redo of his first meeting with Nicole. It’s a trial, not a free ride. However, Daniel does change, avoiding the tragedy that had taken Nicole’s life.

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High School Redemption ©

An Original Screenplay by Stephanie Sharp

Script has been professionally critiqued and rewritten to ensure that it meets proper industry standards. It has also obtained excellent feedback from notable people in the industry. An official ‘Best Scene Table Read’ of the infamous ‘drunk-driving scene’ has been provided via professional actors.

Watch the video

 

2080 – Script / Screenplay

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A futuristic sci-fi adventure revolving around time travel!

Synopsis: Have you ever decided to write a note to be kept for the future and only opened once time travel has been invented with instructions on where and when to meet a future traveler? What would you do if a future time traveler turned up to meet you with a time machine? Find out here!

2080 ©

An Original Screenplay by Jennifer James

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Hello, Mr. Einstein – Script / Screenplay

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There is a zone that we all fighting do not get in.

Hello, Mr. Einstein ©

An Original Screenplay by Helio J Cordeiro

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My 24th Year – Script / Screenplay

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Four friends going through their whole trials and tribulations in modern day London.

‘You need friends here. Some Friendships go through anything. Some through hell, to the earth and last till heaven. Life like friendships can be the most troublesome, but is pure. Maybe the most purist thing. Your friends, the ones that care’

This is a story about four friends who are all an encountering pivotal paths in their lives. Paths that will change their lives forever.

JASON (black, 24) is the lead character, the heart of the movie. A young man with ambition, but with no progress in his professional and personal life so far. He’s emotionally scarred by episodes of the past and his confidence at an all time low, it’s probably the wrong time for a girl to come into his life. If he decides to let her in is the question…

KAL (Asian, 24) is the happy go lucky person of the group. He loves women, he chats up woman and sees them as a conquer. He also plans to live out his dreams, but his dreams have a price that may cost him dearly in the future…

DANIEL (White, 24) is the only one of the four that is in a relationship with his girlfriend Diane. He adores Diane, worships her and cares about her to the point where she truly is part of him. That’s the problem. He loves her too much, to the point where the pain by being in love, giving yourself in relationship is that more painful and much more fatal…

JOBY (black, 24) is the psycho of the group (come one every group needs a psycho to make it interesting) Joby is a angry individual, a ticking time bomb who’s fury is going to get him into trouble. You see he knows what he is and what he’s capable of, but will that realization come far too late…

My 24th year is a story of friendship, the powerful component of friendship, which is closeness, the memories and the emotional part of having friends who are as much as part of you as you are part of them. A part that lasts forever…

My 24th Year ©

An Original Screenplay by TJ Hall

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